This comprehensive volume comprehensiv- ises NIGHTMARE CITYs endless and perpetual gaze into a mirror practice of zine making. The fractalized feedback loop of this fragmented textual mirror expands to process: the WHERE and HEX POX RUT ROT series is/are/were partners in literary crime (misdemeanor), while SSUX TO BE USSS duplicates the framework of their col- laborative video practice (felony). On the flip-side, 2009s BIGTIME exposed previously undiscov- ered evidence in the widely disregarded CASE OF THE AVERAGELY SATISFACTORY ART SCENE.