LADavid Benjamin Sherry2My Camera on Point Lobos

Sherrys approach to the medium challenges categorical ideologies and the question of photographic truth. It could be argued that no photograph can be completely detached or objective, but the distinction concerning a photographers intent seems to divide directives: aesthetic or objective. With this collection of truthful images, presented in exaggerated colors, the artist marries opposing categorizations, or the division implied therein. Wonderful Land reminds us, through photography, of the inherent value that exists in any natural resource what it offers, what it represents, and ultimately, its ability to connect us to a broader experience.